“Liquid Presence” explores the relationship between self-awareness, physical space, and communal experience. It examines how electromagnetic waves—both literal and metaphorical—shape our interactions, highlighting the individuality of perception even within shared spaces. Though we may occupy the same room, our senses interpret sound, movement, and presence uniquely. Yet, through feedback loops and evolving repetitions, a deeper connection emerges, uniting us in a shared yet personal experience. By blending technological and organic patterns, the work heightens our awareness of how perception, time, and technology shape our presence, inviting us to reconsider our connection to the world and to each other.

“No Space” is a series of artistic collaborations initiated in response to the isolation experienced during the COVID-19 pandemic. The works explore individual experiences of isolation and the intimate interactions between people, places, objects, and materials. Realized in private art studios as well as at Uillinn West Cork Arts Centre in Skibbereen, Ireland, the series was developed as part of an artist residency in 2020. No Space was supported by the Arts Council’s COVID-19 relief funding and is part of the Platform 31 initiative.

“Dimensions of Text” is a series of works developed over 19 years, exploring the transformation of thought into words, verbal expression, and text. The series examines the form, structure, social function, and meaning of language, questioning its identity and origins. Through this exploration, the works reflect on the ways language shapes and is shaped by human experience.

“Areas of Presence” explores the fluid nature of identity, questioning how deeply we can uncover the layers that shape our sense of self. Initiated during an art residency and exhibition at The Guesthouse in Cork City, Ireland, in 2017, the series examines the relationship between inner identity and self-perception within physical space. Through this exploration, the works invite reflection on the life force that defines our personal and collective presence.

“Neomorph” (2016) was an exhibition at Uillinn West Cork Arts Centre in Skibbereen, Ireland, exploring the diverse perspectives emerging from the establishment of the new arts centre. The exhibition examined its physical presence and sociological impact, weaving together observations through photography, sound, and animation to reflect on its influence within the community and environment.

“Processes of Change” (2013–2015) is an exhibition exploring the impact of the internet and digital media on both mental and technological transformation. The works examine how these advancements shape perception, communication, and societal evolution, reflecting on the continuous shifts brought about by the digital age.

“Communication Beyond Sound” (2014) was an artistic collaboration with the deaf community in Cork City, Ireland, aiming to establish a visual dialogue and bridge the gap between the deaf and hearing worlds. Using photography, performance, video, and sound, the project explored alternative forms of communication and expression. The works were exhibited in Skibbereen in 2015 and Cork City in 2016.

“Metaphor” (2003) was an installation presented at the Triennale of Young Artists at the Center of Polish Sculpture in Orońsko, Poland. The work featured a delicate, translucent plastic light conduit, channeling light from the gallery’s sole unblocked skylight, which was filtered through ultramarine filters. This fragile structure created a powerful presence, guiding natural light into the gallery space. Visitors were invited inside to observe the passing clouds, birds traversing the framed sky, and the shifting light as the setting sun gradually faded, leaving behind a poignant metaphor for impermanence and observation.